Ohio Musical Compositions Co-Publishing Agreement
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How to fill out Musical Compositions Co-Publishing Agreement?
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FAQ
In most co-publishing agreements, songwriters retain 100% of their writer's share and 50% of their publisher's share. (The other half goes to the publisher.) This makes them more attractive, and potentially lucrative, than other traditional publishing deals.
Publishing deals are structured and administered ing to their unique terms. In music publishing, the publisher and the writer have equal shares. There are also two main types of deals: administrative and co-publishing.
With a co-publishing agreement, artists like you typically give away 50% ownership of their publisher's share ( hence the name, ?co-publishing?) when they sign. This means you'll keep: 100% of your writer's share. 50% of your publisher's share.
Co-Publishing Agreements One main difference between an administration ?deal? and a co-publishing ?deal? is that in a co-publishing agreement, the music publisher and the writer may co-own the copyrights in the compositions.
Publishing administrators do not own your copyright at any point during or after the term of the agreement. Administration agreements do not include creative services. They focus solely on administrative duties, such as properly registering your songs with global societies and collecting royalties on your behalf.
Typically, the royalty split would be roughly 75/25 ? 75% to you, the writer, and 25% to the publisher ? and traditional deals usually come with a cash advance that's recoupable from those royalties (which means you won't get paid again until the publisher makes back your advance).
As streams and downloads reproduce both the master recording and the composition, both your distributor and publisher can collect royalties at the same time simultaneously. In short, publishing deals with performance and mechanical rights, and distribution deals with master rights.
Under the co-publishing agreement, the songwriter co-owns the copyright in his or her songs (usually through a wholly owned company) and receives a portion of the publisher's share of income (usually 50%) in addition to the songwriter's share.
