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Performance royalties are shared 50/50 between the publisher and the songwriter, so each gets 50% of the revenue. If you are both the songwriter and the publisher for your own music, you will receive 100% of performance royalties.
But if you do cover a song, you must pay a royalty to the song's creator (that's the licensing part). What's more, the royalty rate is always the sameit's statutory, meaning fixed and not subject to individual negotiationno matter who covers the song and how many (or few) copies they sell.
Since most producers get 3-7 points and most artist's deals are 12-20 percentage points of sales/streams, you divide the producer point by artist point. So, if you're working with a 4 point producer, you can divide 4 by 16 (typical artist points) and you get 25%. Or 4 divided by 20 would get you 20%.
ASCAP, BMI, etc do NOT collect mechanical royalties. You may have heard that 9.1 cents is earned per download or sale. And that's true (for now it's going up!). So when you sell a song on iTunes, 9.1 cents is owed to the songwriter/publisher of that song.
For example: if a split is set as 50% and 50% on March 3 and then changed (and accepted) to 75% and 25% on March 20, all March royalties will be paid out according to latest update, in this case 75% and 25%.
This royalty is freely negotiated in the marketplace and is typically split 50% to the writers and 50% to the artist and record label.
The way a royalty is calculated depends on the license agreement relating to the intangible in question. Usually, it is calculated as a royalty percentage a portion of the gross or net revenue gained through the exploitation of the licensor's IP. It can also be expressed as a fixed value.
As explained by Tune Core, the split nods to how much copyright the individual deserves from that particular song. For example, if there are four songwriters working together and it's divided that everyone has an equal percentage, the songwriting split will work out at 25% each.
Since most producers get 3-7 points and most artist's deals are 12-20 percentage points of sales/streams, you divide the producer point by artist point. So, if you're working with a 4 point producer, you can divide 4 by 16 (typical artist points) and you get 25%. Or 4 divided by 20 would get you 20%.
How does BMI split royalties between songwriters and publishers? One half is designated for the songwriter(s), and the other half is designated for the publisher(s) or copyright holder(s). Learn more about how BMI pays royalties. If you do not have a publisher, you will also receive the publisher's share as a writer.