Tennessee Synchronization and Public Performance License for Multimedia

State:
Multi-State
Control #:
US-L0812AM
Format:
Word; 
Rich Text
Instant download

Description

This sample form, a detailed Synchronization and Public Performance License for Multimedia document, is adaptable for use with entertainment, new products, intellectual property/multimedia business and other related areas. Tailor to fit your circumstances. Available in Word format.
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  • Preview Synchronization and Public Performance License for Multimedia
  • Preview Synchronization and Public Performance License for Multimedia
  • Preview Synchronization and Public Performance License for Multimedia

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FAQ

The big question here is: how are ASCAP and BMI different? Do I need both ASCAP and BMI? No, you don't need to sign up with both ASCAP and BMI. In fact, it's better if you register all your songs with just one of these Performance Rights Organizations (PROs).

The master license pays only the artist for the right to use their recording; the synchronization license pays the composer for the right to use their song.

4 Ways to Submit Your Music to Sync Licensing Companies Find a sync library explicitly looking for new producers. Apply to specific pitch requests. Co-write with someone already working with the library. Sending unsolicited pitches.

The difference between a master license and a sync license is that the sync permits the license holder to re-record the song for a specific project, for example a video cover a famous song, while the master permits using a pre-existing record, therefore the voice of the original singer.

To include your music in CD Baby's Sync Licensing program, add CDB Boost ($39.99) to any release. This will also unlock track registration and royalty collection via the MLC and SoundExchange. If you are a Music Supervisor or need licensing assistance, please visit CDBabyLicensing.com.

Sync licensing fees for television placements can vary widely, but on average they fall in the $5,000 to $10,000 range. This fee includes both the master license fee (paid to the record label) and the sync license fee (paid to the publisher).

The copyright holder of the music grants the license, and your cost ranges from a handful of dollars to hundreds of thousands of dollars, depending on the song and how you are using it. No law forces a copyright holder to grant a synchronization license to anybody willing to pay for it.

The copyright holder of the music grants the license, and your cost ranges from a handful of dollars to hundreds of thousands of dollars, depending on the song and how you are using it. No law forces a copyright holder to grant a synchronization license to anybody willing to pay for it.

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Tennessee Synchronization and Public Performance License for Multimedia