This form is a Composer/Music Performance Agreement. The producer engages the composer and the composer accepts an engagement to compose and perform live improvisational keyboard music orchestrated for a television program series. The composer also grants to the producer the sole and exclusive right in the improvisational music composed and performed and for all uses connected with the exploitation of the program.
Washington Composer - Music Performance Agreement
Category:
State:
Multi-State
Control #:
US-KWP-0039
Format:
Word;
Rich Text
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FAQ
In order to perform a copyrighted work publicly, the user must obtain performance rights from the copyright owner or his representative. A record label (or record company) makes, distributes and markets sound recordings (CDs, MP3s, etc.).
Major production companies typically own the copyright to an original score for a film or television series as part of a work for hire contract, but composers retain a financial interest in the copyright and share in the royalties, also called public performance fees.
A public performance license is an agreement between a music user and the owner of a copyrighted composition (song), that grants permission to play the song in public, online, or on radio. This permission is also called public performance rights, performance rights, and performing rights.
The composition is still copyrighted, so cover songs posted without permission are copyright infringing. You will likely get a copyright claim. The copyright owner will usually take over monetization. However, they can also decide to mute your video, block it or take it down.
For a songwriter or publisher to get paid by a PRO, they must sign an agreement that allows the PRO to license their musical works (or musical work share) and collect and distribute that share of musical work performance royalties.
The original recording of a song is called a master. Most artists who sign with labels do not own their masters, as they often sign away their rights when signing a contract with a label for distribution purposes. Many artists are okay with this, until the situation gets messy.
A Composer Agreement enables composers to outline the terms and conditions connected to a music composition project. With signatures from both the client and the composer, this essential document helps define each party's expectations.
In general, the individual who writes or records an original song owns the copyright in the musical work or sound recording. So if only one person is involved in the writing and recording process, then that person owns the resulting copyrights.
Void of any agreements or contracts, composers generally keep the rights to their creations. Even with buyouts or work-for-hire, composers are often still entitled to the writer's share of performance royalties, unless their contracts specify otherwise.
Copyright in musical works is generally owned by the creator or author but it can vary depending on a factors such as employment or licensing agreements - see ownership of copyright for more information. The composer is the person who writes the arrangement of the music down in a material form.
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