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Royalty splits when a song gets recorded and money starts rolling in2026 The publisher gets to first recoup the money they have paid a writer for advances and demo costs (for all songs, not just the one that got recorded). Therefore, they split royalties according to the contract.
A distributor collects royalties directly from stores/streaming platforms on behalf of labels. An artist's label will then collect the recording royalties and distribute them to the artist. If an artist is not with a label, the artist will collect the recording royalties directly from the distributor.
A publishing split sheet (often simply referred to as a split sheet) is a document that states who wrote what percentage of the song(s) recorded by a band or artist. A split sheet should be created for each and every song you write, before ever shopping it to a third party to be published commercially.
Since most producers get 3-7 points and most artist's deals are 12-20 percentage points of sales/streams, you divide the producer point by artist point. So, if you're working with a 4 point producer, you can divide 4 by 16 (typical artist points) and you get 25%. Or 4 divided by 20 would get you 20%.
How does BMI split royalties between songwriters and publishers? One half is designated for the songwriter(s), and the other half is designated for the publisher(s) or copyright holder(s). Learn more about how BMI pays royalties. If you do not have a publisher, you will also receive the publisher's share as a writer.
This royalty is freely negotiated in the marketplace and is typically split 50% to the writers and 50% to the artist and record label.
Producers typically get anything from 3 to 7 Producer Points. That means that if the artist gets, for example, 20% of the royalties in a record deal and the producer gets 5 points, the producer is getting 25% percent of the artist's share of the royalties.
Performance royalties are typically split into two equal halves: a writer share (50%) and a publisher share (50%). Performing Rights Organizations (PROs) and Collective Management Organizations (CMOs) collect and account for each of these revenue sources separately.
Performance royalties are shared 50/50 between the publisher and the songwriter, so each gets 50% of the revenue. If you are both the songwriter and the publisher for your own music, you will receive 100% of performance royalties.
As explained by Tune Core, the split nods to how much copyright the individual deserves from that particular song. For example, if there are four songwriters working together and it's divided that everyone has an equal percentage, the songwriting split will work out at 25% each.