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Performance royalties are shared 50/50 between the publisher and the songwriter, so each gets 50% of the revenue. If you are both the songwriter and the publisher for your own music, you will receive 100% of performance royalties.
Royalty splits when a song gets recorded and money starts rolling in2026 The publisher gets to first recoup the money they have paid a writer for advances and demo costs (for all songs, not just the one that got recorded). Therefore, they split royalties according to the contract.
For example: if a split is set as 50% and 50% on March 3 and then changed (and accepted) to 75% and 25% on March 20, all March royalties will be paid out according to latest update, in this case 75% and 25%.
All music publishing income is split 50/50 between the songwriter and the publisher. This is typically referred to as the writer share and publisher share of income. No matter how many writers and publishers, the publishing royalties are split in this way.
A distributor collects royalties directly from stores/streaming platforms on behalf of labels. An artist's label will then collect the recording royalties and distribute them to the artist. If an artist is not with a label, the artist will collect the recording royalties directly from the distributor.
How does BMI split royalties between songwriters and publishers? One half is designated for the songwriter(s), and the other half is designated for the publisher(s) or copyright holder(s). Learn more about how BMI pays royalties. If you do not have a publisher, you will also receive the publisher's share as a writer.
But if you do cover a song, you must pay a royalty to the song's creator (that's the licensing part). What's more, the royalty rate is always the sameit's statutory, meaning fixed and not subject to individual negotiationno matter who covers the song and how many (or few) copies they sell.
Performance royalties are typically split into two equal halves: a writer share (50%) and a publisher share (50%). Performing Rights Organizations (PROs) and Collective Management Organizations (CMOs) collect and account for each of these revenue sources separately.
The record royalty for a producer is usually between 3% to 4% of the record's sales price or 20% to 25% of the artist's royalties.
If the label is a major record company, the artist split can range from 13% to over 20%. These artist agreements will often come with album advances. For indie labels, the split can be as high as 50%, but will often not include an advance.