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The key elements of film form: cinematography, mise-en-scène, editing, sound and performance Area 2.
These four areas (rhythmic, graphic, spatial, temporal) provide the framework for most discussions of how filmmakers shape sequences, they could work differently across different types of movies.
The first pillar is the script. The desire to make that script into a film is shared among three other pillars: direction, production, and financing. What these four creative and practical posts support are the performances, design, post-production, and distribution.
Film Form can be described as the elements within a film and their relationship with one another. This includes the production and story elements such as camera, characters, and mies-en-scene, and the way these elements are used to create meaning.
And the meaning behind that production can almost certainly be analyzed using these four formal elements which are critical to the process. CINEMATOGRAPHY. EDITING. MISE-EN-SCENE. SOUND.
Gauge refers to the width of the film, and there are four commonly in use for camera films: Super 8, 16 mm, 35 mm, and 65 mm. 35 mm is most popular for feature films, commercials and US television.
So, content would be things like characters, dialogue, themes, symbols, etc. Form would be how those things are presented - camera movement, pacing, editing, plot structure, etc. A good movie will be made so that both form and content complement each other or intentionally clash in order to achieve meaning.
Content is what a text says. Form is the way in which what it says is arranged. Everything from a chapter to a paragraph to a punctuation mark is a way of arranging the content of a text, and thus a formal quality.
Film form refers to the technical elements that make up a film, including lighting, sound, mise-en-scene, editing, and cinematography. Mise-en-scene comprises everything that appears in the frame and how those elements are arranged.