Representing celestial, aristocratic, and military beings all at once, these angels were created after the first missionizing period, as Christian missionary orders persistently sought to terminate the practice of pre-Hispanic religions and enforce Catholicism.
The Latin inscription of Archangel with Gun, Asiel Timor Dei indicates the name of the angel, Asiel, and a particular quality: Fears God.
These paintings were produced in the ancient viceroyalty of Peru during the Colonial period (16th, 17th and 18th centuries) in workshops that carried out custom-made orders, which at times were destined for distant places.
An Ángel arcabucero (arquebusier angel) is an angel depicted with an arquebus (an early muzzle-loaded firearm) instead of the sword traditional for martial angels, dressed in clothing inspired by that of the Criollo and Andean nobles and aristocrats.
The matchlock arquebus was the first firearm equipped with a trigger mechanism. It is also considered to be the first portable shoulder-arms firearm.
Church of Calamarca, about 60 km from La Paz, Bolivia, contains the most complete existing series of ángeles arcabuceros, including the Asiel Timor Dei by Master of Calamarca (around 1680), that are considered notable examples of the type.
The Catholic Counter Reformation held a militaristic ideology that portrayed the Church as an army and angels as its soldiers. The armed angel in Asiel Timor Dei represented this philosophy: its gun and mere existence protects faithful Christians.
Celestial beings The Catholic Counter Reformation held a militaristic ideology that portrayed the Church as an army and angels as its soldiers. The armed angel in Asiel Timor Dei represented this philosophy: its gun and mere existence protects faithful Christians.