Title: Understanding the South Dakota Use of Song in Grand Rights First Class, Stock, and Amateur Performances Introduction: The South Dakota Use of Song in Grand Rights First Class, Stock, and Amateur Performances refers to the regulations and guidelines surrounding the performance and usage of songs in various types of productions within the state. These performances are divided into different classes, each with specific requirements and licensing obligations. In this article, we will explore the different aspects of the South Dakota Use of Song in Grand Rights First Class, Stock, and Amateur Performances. 1. What are Grand Rights? Grand rights refer to the legal permission required to perform or use copyrighted musical works in specific types of performances, including musical theater productions, opera, ballet, or other similar staged productions. Composers and music rights organizations grant licenses for these performances, ensuring fair compensation to the owners of the copyrighted works. 2. First Class Performances: First Class Performances generally involve professional, large scale, and commercially produced musical theater productions with substantial resources. These performances typically take place in professional theaters or venues and attract paying audiences. Obtaining grand rights for these performances is crucial to comply with copyright laws and compensate composers for the use of their musical works. 3. Stock Performances: Stock performances differ from First Class Performances in that they involve smaller-scale productions, often performed by regional theater companies, community theaters, or educational institutions. These performances may be presented with limited resources and may not have large financial backing. However, they still require proper licensing and compliance with copyright laws to ensure fairness to the composers. 4. Amateur Performances: Amateur performances encompass a wide range of productions, including school plays, community theater productions, small-scale musicals, and independent productions. These performances are typically non-profit or educational, featuring non-professional actors and often limited budgets. Song usage in these performances also requires obtaining appropriate licenses and adhering to copyright regulations. Important Considerations: a. Obtaining Licenses: In all types of South Dakota performances involving song usage, acquiring licenses from music rights organizations, such as the American Society of Composers, Authors, and Publishers (ASCAP), Broadcast Music, Inc. (BMI), or the Society of European Stage Authors and Composers (SEAC), is crucial. These licenses grant legal permission to use copyrighted musical works. b. Fee Structure: The licensing fees for South Dakota performances vary depending on the type of performance, the popularity of the songs used, the size of the audience, and other factors. It's essential to understand the fee structure and ensure proper compensation to composers and music publishers. c. Reporting and Documentation: Apart from licensing, performance organizers must report the songs used and maintain detailed records of performances. This information is used to calculate payments to composers and provide transparency in royalty distributions. Conclusion: Understanding the South Dakota Use of Song in Grand Rights First Class, Stock, and Amateur Performances is essential for anyone involved in theater production, whether professionally or as an amateur. By adhering to licensing obligations and copyright laws, performers, theater companies, and educational institutions can demonstrate respect for the rights of composers and ensure the long-term sustainability of the performing arts industry.
South Dakota Use of Song in Grand Rights First Class, Stock and Amateur Performances
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ASCAP does not license ?dramatic? rights, sometimes called ?grand? rights. ASCAP members who write musical plays, operas or ballet scores deal directly with those who want to perform their works ?dramatically.? The ASCAP license does authorize non-dramatic performances of songs from dramatic productions.
- you must contact the copyright owner or music publisher to clear the rights you need. You may be able to determine the copyright owner or music publisher by looking at the copyright notices on your published material, usually on the bottom of the sheet music or in the liner notes of a cast recording.
Costs for licensing a famous song can range from as low as $100 for an independent artist to as high as several hundred thousand dollars plus licensing fees for a major recording artist or label. The cost is variable and dependent on the deal that you make with the copyright license holders.
You may perform ?Songs from the Shows? without permission under certain conditions, and performing rights in such cases should be sought from the rights holder, which is usually the music publisher. You may not perform more than 25 minutes of songs from any one show.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
Grand rights is a type of music licensing, specifically covering the right to perform musical compositions within the context of a dramatic work. This includes stage performances such as musical theater, concert dance, and arrangements of music from a dramatic work.
BMI, ASCAP, SESAC, GMR, HFA, MRI, The MLC: The Guide to USA & Canada PROs.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.