New Hampshire Grand Rights Tour License - Live Stage Performance of Dramatic - Musical Work
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FAQ
If you're interested in music licensing, there are three main types of rights: Mechanical, Synchronization, and Broadcast. There's also a fourth type of right, print rights, but those aren't as common unless you have a big hit. Now, each type of right leads to a corresponding royalty.
Grand Rights - for permission to perform music as part of a staged work (i.e an opera or ballet); Synchronisation - for permission to include music as part of a media production (i.e a film or stream);
With a mechanical license, you are given permission to replicate and distribute the musical composition to the general public. If you decide to make a video cover of a song, you move from mechanical licensing to sync licensing, which as we explained before is when you want to ?sync? music with visual media.
A synchronization license pays a royalty to the copyright holder (owner) of the composition (song). This is typically the composer or their publisher.
A public performance license is an agreement between a music user and the owner of a copyrighted composition (song), that grants permission to play the song in public, online, or on radio. This permission is also called public performance rights, performance rights, and performing rights.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.
A synchronization license is an agreement between a music user and the owner of a copyrighted composition (song) that grants permission to release the song in a video format (YouTube, DVDs, Blue-ray discs). This permission is also called synchronization rights, synch rights, or sync rights.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
