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Whereas a licensee of small rights pays one fee for unlimited use, a grand rights license requires payment per performance. The permissions and costs vary depending on how much of an individual song is in the dramatic production and for how long.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
A public performance license is an agreement between a music user and the owner of a copyrighted composition (song), that grants permission to play the song in public, online, or on radio. This permission is also called public performance rights, performance rights, and performing rights.
In most circumstances, the music publisher holds the copyright for the work and can grant synchronization, mechanical, and public performance licenses. Public performance licenses may also be obtained from the appropriate Performance Rights Organization (PRO), such as ASCAP, BMI, or SESAC.
Grand rights (aka dramatic performance rights) cover such theatrical settings as ballets, musicals, and operas. A dramatic performance is usually when the work is being used to tell a story or propel a plot. Some examples are: A ?dramatical-musical work? like the Broadway hit Hamilton.
You must legally obtain the rights to any sheet music or other music materials used from an authorized source. As a rule of thumb, no more than three songs should be used from any one title or any one composer.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.