Connecticut Use of Song in Grand Rights First Class, Stock and Amateur Performances
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FAQ
BMI, ASCAP, SESAC, GMR, HFA, MRI, The MLC: The Guide to USA & Canada PROs.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
A theatrical license pays a royalty to the copyright holder (owner) of the composition (song). This is typically the composer or their publisher. However, sometimes rights are sold. If theatrical rights are sold, a song might have a new owner, other than the original composer or publisher.
Generally, to use the sound recordings or musical works of another artist, you must: Use a work that is already in the public domain. Get permission from the copyright holder directly, or license the work ing to the terms set by the licensing contract.
The cost to license a copyrighted song can vary widely. The cost for a song from a small independent artist might be less than $100, while a track by a major artist or label can run thousands of dollars. Some licenses might also charge you a percentage of revenue instead.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.
- you must contact the copyright owner or music publisher to clear the rights you need. You may be able to determine the copyright owner or music publisher by looking at the copyright notices on your published material, usually on the bottom of the sheet music or in the liner notes of a cast recording.
It doesn't matter if you're performing for a class, presenting to a private audience, or staging a show for free?you must license the performance rights from the author or their legal representation (typically that's a licensing agency). Never make changes without the author's permission.
Grand rights licenses for operas and musicals are typically based upon a percentage of ?the house,? meaning ticket sales to performances. Ballets and other choreographic works are more often based upon a flat fee.
This means that, generally, no one can publicly perform copyrighted works without the permission of the copyright owner, and, as is the case with other property rights, the owner has the right to be paid for the use of his property.