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Grand rights is a type of music licensing, specifically covering the right to perform musical compositions within the context of a dramatic work. This includes stage performances such as musical theater, concert dance, and arrangements of music from a dramatic work.
A public performance license is an agreement between a music user and the owner of a copyrighted composition (song), that grants permission to play the song in public, online, or on radio. This permission is also called public performance rights, performance rights, and performing rights.
Generally, those who publicly perform music obtain permission from the owner of the music or his representative. However, there are a few limited exceptions, (called "exemptions") to this rule.
Musicals are *not* singalongs. You are meant to listen to the performers on stage, and if you are singing you are not doing that. If you are listening the show will tell you when to participate - shows are designed with applause points, with clapping and singing along points, with finales you can stand up and dance at.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.
Examples of Adaptations of Works in the Public Domain ?Pride and Prejudice? by Jane Austen. ?The Great Gatsby? by F. ... ?Little Women? by Louisa May Alcott. ?The Phantom of the Opera? by Gaston Leroux. ?Les Miserables? by Victor Hugo. ?Oliver Twist? by Charles Dickens. ?Alice's Adventures in Wonderland? by Lewis Carroll.
You may perform ?Songs from the Shows? without permission under certain conditions, and performing rights in such cases should be sought from the rights holder, which is usually the music publisher. You may not perform more than 25 minutes of songs from any one show.
- you must contact the copyright owner or music publisher to clear the rights you need. You may be able to determine the copyright owner or music publisher by looking at the copyright notices on your published material, usually on the bottom of the sheet music or in the liner notes of a cast recording.