Rhode Island Use of Song in Grand Rights First Class, Stock, and Amateur Performances: A Comprehensive Overview Introduction: Rhode Island has specific regulations and provisions governing the use of songs in various types of performances, including Grand Rights First Class, Stock, and Amateur performances. These regulations outline the rights and obligations of performers, producers, and composers while ensuring the protection of intellectual property. Understanding these rules is crucial for anyone involved in organizing or participating in such performances. 1. Rhode Island Use of Song in Grand Rights First Class Performances: Grand Rights First Class performances refer to professional theatrical presentations, typically staged in Broadway-style productions or high-budget performances. In Rhode Island, the use of songs in such performances requires securing proper licenses from the copyright holders, i.e., composers, lyricists, and publishers. These licenses encompass both the public performance right and synchronization rights, allowing the use of songs in conjunction with the performances. 2. Rhode Island Use of Song in Stock Performances: Stock performances involve theatrical productions performed by non-professional or amateur troupes. In Rhode Island, the use of songs in stock performances also necessitates obtaining appropriate licenses from the copyright owners. However, the process may vary based on the specific circumstances, such as the nature of the organization, non-profit vs. for-profit, or whether the performance is open to the public or limited to members of a particular group. 3. Rhode Island Use of Song in Amateur Performances: Amateur performances encompass a broad range of artistic endeavors, including school plays, community theater productions, and non-professional concerts. Similar to stock performances, obtaining licenses for the use of songs in amateur performances is essential. However, Rhode Island recognizes that amateur performances are often non-commercial and low-budget, with limited resources for acquiring licenses. Therefore, the process may be simplified, and certain exemptions or reduced fees might be applicable for such performances. Keywords: Rhode Island, Use of Song, Grand Rights, First Class Performances, Stock Performances, Amateur Performances, Licenses, Copyright, Composers, Lyricists, Publishers, Public Performance Right, Synchronization Rights, Intellectual Property, Non-professional Troupes, Theatrical Productions, Non-profit, For-profit, Community Theater, School Plays, Concerts. Conclusion: Complying with Rhode Island's regulations regarding the use of songs in Grand Rights First Class, Stock, and Amateur performances is crucial to avoid legal complications and ensure the protection of intellectual property rights. Acquiring the necessary licenses from copyright holders is the primary obligation for performers, producers, and organizers. By following these guidelines, stakeholders can enjoy the creative freedom of incorporating songs into their performances while respecting the rights and contributions of composers, lyricists, and publishers.
Rhode Island Use of Song in Grand Rights First Class, Stock and Amateur Performances
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- you must contact the copyright owner or music publisher to clear the rights you need. You may be able to determine the copyright owner or music publisher by looking at the copyright notices on your published material, usually on the bottom of the sheet music or in the liner notes of a cast recording.
For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.
BMI, ASCAP, SESAC, GMR, HFA, MRI, The MLC: The Guide to USA & Canada PROs.
Grand rights is a type of music licensing, specifically covering the right to perform musical compositions within the context of a dramatic work. This includes stage performances such as musical theater, concert dance, and arrangements of music from a dramatic work.
ASCAP does not license ?dramatic? rights, sometimes called ?grand? rights. ASCAP members who write musical plays, operas or ballet scores deal directly with those who want to perform their works ?dramatically.? The ASCAP license does authorize non-dramatic performances of songs from dramatic productions.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
A rule of thumb for amateur societies If you wish to use any of these songs, you must first obtain permission from Warner/Chappell. The general advice is not to use any Disney music in your show. But that doesn't mean you can't.
Costs for licensing a famous song can range from as low as $100 for an independent artist to as high as several hundred thousand dollars plus licensing fees for a major recording artist or label. The cost is variable and dependent on the deal that you make with the copyright license holders.