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Write a rough draft of the review right after you have seen the production.Describe what you saw in detail and make the reader see what you see. Be specific and thorough in your descriptions.Analyze what you think the director or designer was trying to achieve.Judge how effective the play was as a whole.
Try to give a brief description of the story. Outline the important themes and issues of the play. You should also discuss the director's interpretation of the play and how the style and form of the play communicates the play's themes. Describe and analyse the characters.
A review should describe the situation of a play without giving too much information about the plot. It should address the production elements individually and how they work together as a whole. It should express an opinion supported by thoughtful analysis.
How to write a playCreate an interesting plot. If you don't have a plot, you don't have a play.Add an appropriate subplot.Decide on your structure.Decide how you want it to look.Know your audience.Lay it out correctly.Create interesting characters.Make your characters' gestures grand.
Look at the traditional structure of a play review.Paragraph 1: Your introductory paragraph should describe what you saw on stage.Paragraph 2: Briefly summarize the plot of the play.Paragraph 3: Discuss the acting and directing.More items...
A traditional theatre review often begins by giving the reader some background about a production, a brief outline of plot and themes, a sense of what the staging looks (and sounds) like; it offers an evaluation of writing, production and performances and concludes with a summing up.
Things to Consider in a Stage PerformanceOverall "concept"Characterization.Interpretation of key speeches, actions, or scenes.Relationship of actors to audience.Changes to the playtext.Scene breaks/changes (When? How are they handled?)Intermission (Is there one? When?)Blocking (including dance choreography, if any)More items...
You have to be able to provide a very brief summary of the play, a close objective analysis of the performance you attend, and an interpretation and evaluation of the entire ensemble of staging, acting, directing, and so on.
Today's post is a continuation of last week's, which outlined the three essentials of drama. Click here to read Part 1. I've explained what I believe are the only three things you need for putting on a play: a script, actors, and a healthy supply of commitment.