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Here's how: Know your audience. Before you begin, you have to take your audience into account. ... Fuel your inspiration. You know you want to choreograph. ... Think about the music. ... Start creating your moves. ... Chunk them into sections. ... Incorporate transitions. ... Think about cheap dance costumes and props. ... Be flexible.
The choreographic process may be divided for analytical purposes (the divisions are never distinct in practice) into three phases: gathering together the movement material, developing movements into dance phrases, and creating the final structure of the work.
Self-choreography involves engaging with the multiple facets of 'self' (a loaded term, for sure). It involves recognising the different voices that are present in the mind when one starts dancing alone.
Here's how: Know your audience. Before you begin, you have to take your audience into account. ... Fuel your inspiration. You know you want to choreograph. ... Think about the music. ... Start creating your moves. ... Chunk them into sections. ... Incorporate transitions. ... Think about cheap dance costumes and props. ... Be flexible.
'' Freelance choreographers find work by writing to ballet companies, and the companies solicit freelancers when they need new repertory or want to discover new talent. Reputation, word of mouth, and experience are crucial factors in holding a successful freelance career.