Harris Texas Use of Song in Grand Rights First Class, Stock and Amateur Performances: An Overview In Harris County, Texas, the use of songs in grand rights first class, stock, and amateur performances is subject to specific regulations and licensing procedures. Understanding these rules is vital for individuals, theater companies, and other performance groups aiming to incorporate musical works in their productions effectively. This comprehensive guide provides an overview of the different types of Harris Texas use of songs in grand rights first class, stock, and amateur performances. 1. Grand Rights Performances: Grand rights refer to the licensing of music for dramatic, non-dramatic, or mixed performances that involve both music and theater elements. These performances typically take place in professional theatrical settings or major productions such as Broadway shows, opera houses, or touring productions. The rights to perform specific songs in these contexts must be obtained from the song's copyright holder or through performance rights organizations (Pros) like ASCAP, BMI, or SEAC. 2. First Class Performances: First-class performances, also referred to as professional performances, encompass shows produced by high-budget professional theater companies or organizations. These productions often take place in established theaters, opera houses, or similar venues. Obtaining the necessary licenses for the use of songs in first-class performances follows the same process as grand rights performances, involving negotiations with copyright holders or Pros. 3. Stock Performances: Stock performances usually occur in smaller, regional theaters or community playhouses that produce several theatrical productions throughout the year. These theaters typically have limited budgets and may choose to perform popular musicals, revues, or other shows utilizing pre-existing scripts and music. The use of songs in stock performances may require separate licensing agreements and royalties, often facilitated through licensing agencies like Samuel French, Music Theater International (MTV), or Rodgers and Hammerstein Theatricals. 4. Amateur Performances: Amateur performances involve non-professional individuals, theater groups, or educational institutions staging productions for non-commercial purposes. These performances commonly occur in community centers, schools, or local theaters. Proper licensing for musical pieces in amateur performances can be obtained through various licensing organizations or publishers specifically catering to non-professional productions, such as Tams-Witmark, Theatrical Rights Worldwide (TRY), or Music Theater International's (MTV) "Theater for Young Audiences" series. Regardless of the type of performance, it is crucial to respect copyright laws and properly obtain licenses when using copyrighted musical works. Failing to do so may result in legal consequences, including penalties and potential disruptions to performances. By adhering to the necessary licensing procedures, both performers and audiences can enjoy the magic of music in the vibrant theater scene of Harris County, Texas.
Harris Texas Use of Song in Grand Rights First Class, Stock and Amateur Performances
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FAQ
After the Ball, by Charles K. Harris kicked American popular music into a higher gear. I have even encountered the claim that it marks the birth of American popular music! Certainly, publishers and performers had long attempted to make as much money as they could by appealing to the tastes of a mass audience.
Arrangement Copyrights Copyright protection exists in an arrangement the moment it is fixed in any tangible form, as by recording the arrangement or writing it in sheet music. As a copyright holder, the arranger has exclusive rights to reproduce, distribute and perform his arrangement.
Re-arrangement is when you take a recorded/written song and change the arrangement, (either in score or on the recording), you change instrumentation, you don't change notes or structure. When you take a record and change it's structure, it's a remix.
Tempo, melodic rhythms, key, harmony, genre, groove, form, and instrumentation, are all elements of arrangement: choices made by one person or a group of people. Whether the song is presented by a solo singer or didgeridoo player, the choice to do so constitutes an arrangement.
He wrote the first mega-hit popular song, "After the Ball" (published in 1892). Knew his song needed boosting by a popular performer, so paid a well-known singer in a traveling theater production to incorporate "After the Ball" into his performance.
The song is a classic waltz in 3/4 time. In the song, an uncle tells his niece why he has never married. He saw his sweetheart kissing another man at a ball, and he refused to listen to her explanation. Many years later, after the woman had died, he discovered that the man was her brother.
Arrangers receive no royalties unless they write an arrangement of a public-domain work. A copyright covers only the melody and lyrics of a song, but in the eyes of the law, the songwriter and publisher own the rights to every note an arranger writes. Arrangers receive no residual income if a song becomes a hit.
Arranging is the art of giving an existing melody musical variety". In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a head arrangement.
Arranging a copyrighted musical work requires the permission of the copyright owner.
While a cover means a new recording of a piece of music, an arrangement doesn't necessarily mean that the music is being recorded. You could do an arrangement of, say, 'Silent Night', the classic Christmas tune, and you could print that arrangement on sheet music and hand it out to people.