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Only the owner of copyright in a work has the right to prepare, or to authorize someone else to create, a new version of that work. ingly, you cannot claim copyright to another's work, no matter how much you change it, unless you have the owner's consent.
Musicals, operas, oratorios, and other similar works that are written to tell a story (even if the story is fairly abstract) are treated as grand-rights works when performed in their entirety or when enough of the piece is performed to convey a section of the story, for example an act, a scene, or a significant excerpt ...
Grand rights is a type of music licensing, specifically covering the right to perform musical compositions within the context of a dramatic work. This includes stage performances such as musical theater, concert dance, and arrangements of music from a dramatic work.
- you must contact the copyright owner or music publisher to clear the rights you need. You may be able to determine the copyright owner or music publisher by looking at the copyright notices on your published material, usually on the bottom of the sheet music or in the liner notes of a cast recording.
To determine who owns the rights to songs, the websites ascap.com and bmi.com are extremely helpful. Once you've determined who owns the publishing and the master, you must contact them separately and ask for permission to use the song. This can get tricky when there are a lot of songwriters involved.
You may perform ?Songs from the Shows? without permission under certain conditions, and performing rights in such cases should be sought from the rights holder, which is usually the music publisher. You may not perform more than 25 minutes of songs from any one show.