Utah Synchronization and Public Performance License for Multimedia

State:
Multi-State
Control #:
US-L0812AM
Format:
Word; 
Rich Text
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This sample form, a detailed Synchronization and Public Performance License for Multimedia document, is adaptable for use with entertainment, new products, intellectual property/multimedia business and other related areas. Tailor to fit your circumstances. Available in Word format.
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FAQ

The copyright holder of the music grants the license, and your cost ranges from a handful of dollars to hundreds of thousands of dollars, depending on the song and how you are using it. No law forces a copyright holder to grant a synchronization license to anybody willing to pay for it.

To include your music in CD Baby's Sync Licensing program, add CDB Boost ($39.99) to any release. This will also unlock track registration and royalty collection via the MLC and SoundExchange. If you are a Music Supervisor or need licensing assistance, please visit CDBabyLicensing.com.

The master license pays only the artist for the right to use their recording; the synchronization license pays the composer for the right to use their song.

The amount of money you can make from music sync licensing depends on a number of factors, including the type of project, the length of the licensing agreement, and the buyer's budget. Generally speaking, you can expect to make between $500 and $5,000 for a one-time use of your music in a TV show or film.

The master license pays only the artist for the right to use their recording; the synchronization license pays the composer for the right to use their song.

Whenever you release a recording of a song that someone else wrote in a video format, even if it's just a small portion of the song, you need a synchronization license. Synchronization licenses are most commonly used for YouTube videos, cover song videos, wedding videos, and commercial and corporate videos.

Sync licensing fees for television placements can vary widely, but on average they fall in the $5,000 to $10,000 range. This fee includes both the master license fee (paid to the record label) and the sync license fee (paid to the publisher).

The copyright holder of the music grants the license, and your cost ranges from a handful of dollars to hundreds of thousands of dollars, depending on the song and how you are using it. No law forces a copyright holder to grant a synchronization license to anybody willing to pay for it.

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Utah Synchronization and Public Performance License for Multimedia