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Synchronization License: This is the right to synchronize a song or a piece of music with your visual image. It must be obtained from the copyright owner of the music, which is usually the publisher. You can find out who the publisher is by using ASCAP's Clearance Express (ACE) at .ascap.com/ace.
The difference between a master license and a sync license is that the sync permits the license holder to re-record the song for a specific project, for example a video cover a famous song, while the master permits using a pre-existing record, therefore the voice of the original singer.
The average salary for Sync is £40,585 per year in the United Kingdom. The average additional cash compensation for a Sync in the United Kingdom is £5,094, with a range from £1,596 - £16,257. Salaries estimates are based on 43041 salaries submitted anonymously to Glassdoor by Sync employees in United Kingdom.
Since sync fees and royalties are not set at a standard rate by the government like other royalties, different deals can cost significantly more or less than other deals: TV syncs typically pay the least ($0-5k for newer artists) Video games ($5-10k) Films ($10-20k+)
In his experience, this fee is typically flat, ranging ?from a few hundred dollars for a small artist in a small project to a few hundred thousand dollars for a major artist whose song is being used in a large budget production.? One rare example of a major sync license is the Super Bowl.
Synchronization licenses are most commonly used for YouTube videos, cover song videos, wedding videos, and commercial and corporate videos. For example, if you release a YouTube video of your band playing a Rolling Stones song, even if you use only a portion of the song, you need a synchronization license.
In its 2022 Year-End Music Revenue Statistics, the Recording Industry Association of America estimated the industry's ?Synchronization Royalties? value at $328.5 million, a 24.8% increase from 2021.
Percentage of royalties paid to sync agent. For a variety of reasons, some agents will ask for a percentage (typically 50%) of the publishing share of the ?back end? or royalties from a sync. This could be because there was no upfront fee, or that this is just the way they do business.