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Kansas Uso de la canción en representaciones de primera clase, acciones y aficionados de Grand Rights - Use of Song in Grand Rights First Class, Stock and Amateur Performances

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Multi-State
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US-L1111AM
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Description

Licencias: formularios y análisis, por Richard Raysman, Edward A. Pisacreta, Kenneth A . Adler y Seth H. Ostrow

Kansas is a state located in the Midwestern region of the United States. It is known for its diverse landscapes, including vast prairies, rolling hills, and iconic wheat fields. The state is bordered by Nebraska to the north, Missouri to the east, Oklahoma to the south, and Colorado to the west. Kansas has a rich cultural heritage and has been an inspiration for various forms of art, including music. Songs that depict the beauty and essence of Kansas often find their way into various performances. The use of songs in different types of Kansas performances can be categorized into three main types: Grand Rights First Class, Stock, and Amateur. 1. Grand Rights First Class Performances: In Grand Rights First Class performances, songs are typically performed on a larger scale, often in professional productions such as Broadway shows, operas, or major commercial productions. These performances require licensing agreements for the use of copyrighted songs. The songs utilized in these performances may encompass a wide range of genres such as musical theater, opera, or classical music. For instance, the iconic song "The Wizard and I" from the musical "Wicked" could be incorporated into a first-class performance set in Kansas. 2. Stock Performances: Stock performances refer to productions staged by non-professional theater companies, community theaters, or smaller-scale production houses. These performances often feature familiar songs from well-known musicals that might have a connection to Kansas. For example, "Oh, What a Beautiful Morning'" from the musical "Oklahoma!" might be used in a stock performance set in a Kansas farm town, as it captures the essence of rural life. 3. Amateur Performances: Amateur performances encompass productions by non-professional individuals or groups, including school plays, community talent shows, or amateur musicals. These performances mostly include songs from popular and accessible musicals that have a broad appeal. In a Kansas-themed amateur performance, songs like "Somewhere Over the Rainbow" from "The Wizard of Oz" would be apt, as the movie itself is closely associated with the state of Kansas. It is important to note that the use of songs in any performance requires proper licensing, which ensures that the composers and rights holders are duly compensated for their work. Licensing can be obtained through various organizations, such as the American Society of Composers, Authors, and Publishers (ASCAP) or Broadcast Music, Inc. (BMI), who manage the rights to many songs. In conclusion, Kansas has been an enchanting muse for various musical compositions, leading to their inclusion in different types of performances. Whether it is a grand first-class production, a stock theater show, or an amateur performance, the utilization of relevant songs can amplify the audience's connection to Kansas and enhance the overall experience of the performance.

Para su conveniencia, debajo del texto en español le brindamos la versión completa de este formulario en inglés. For your convenience, the complete English version of this form is attached below the Spanish version.
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FAQ

You may perform ?Songs from the Shows? without permission under certain conditions, and performing rights in such cases should be sought from the rights holder, which is usually the music publisher. You may not perform more than 25 minutes of songs from any one show.

Grand rights is a type of music licensing, specifically covering the right to perform musical compositions within the context of a dramatic work. This includes stage performances such as musical theater, concert dance, and arrangements of music from a dramatic work.

Do I Need Permission to Play Copyrighted Music at My Sporting Event? Yes, you generally need permission from the copyright holders to play copyrighted music in a public setting. This often involves obtaining licenses from organizations that manage music rights, such as ASCAP, BMI and SESAC.

Whereas a licensee of small rights pays one fee for unlimited use, a grand rights license requires payment per performance. The permissions and costs vary depending on how much of an individual song is in the dramatic production and for how long.

- you must contact the copyright owner or music publisher to clear the rights you need. You may be able to determine the copyright owner or music publisher by looking at the copyright notices on your published material, usually on the bottom of the sheet music or in the liner notes of a cast recording.

For stage plays, most PROs would consider a theatrical license, sometimes called theatrical rights or grand rights. A theatrical license applies to the use of music that was not composed specifically for a dramatic performance that includes visual elements.

Only the owner of copyright in a work has the right to prepare, or to authorize someone else to create, a new version of that work. ingly, you cannot claim copyright to another's work, no matter how much you change it, unless you have the owner's consent.

Grand Rights. There are some additional sources of potential income, including fees from grand rights uses, which are dramatizations of the composition on stage, on television or in a motion picture.

To determine who owns the rights to songs, the websites ascap.com and bmi.com are extremely helpful. Once you've determined who owns the publishing and the master, you must contact them separately and ask for permission to use the song. This can get tricky when there are a lot of songwriters involved.

A public performance license must be obtained from the copyright owners or a performance rights organization (PRO) to perform copyrighted music in public. ASCAP, BMI, and SESAC, for example, represent the interests of copyright holders and provide licenses for public performances of copyrighted music.

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Review the form by reading the description and using the Preview feature. Click Buy Now if it is the document you need. Generate your account and pay via PayPal ... Click on the New Document button above, then drag and drop the document to the upload area, import it from the cloud, or via a link. Change your file. Make any ...Jul 22, 2016 — Ok, Elizabeth, the answer to your question is this. You probably DO need to get permission, that is a license, to use the song in your show. The right to perform only a piece of music from a musical is probably covered through the K-State music blanket license agreements with ASCAP, BMI, or SESAC. You should acquire the GRAND RIGHTS FIRST, as most record companies will grant. Master Use rights only AFTER they know you have the publisher's permission. ASCAP License Provisions • Songs or other excerpts from operas or musical plays accompanied either by words, pantomime, dance or visual representation of the ... "Amateur" refers to a theater company whose participants (particularly actors) work without salary. Rights refers to permission from the playwright (via the ... ... Out About Clickbank And Find ... Rights and Development: Self-Determination in an Amazonian Community (Arakmbut of Amazonian Peru)|Andrew Gray! The Grand ... Harnick wrote with Joe Raposo the theme song for the television series written by Alan Alda: We'll Get By (1974), Alice in Wonderland (1975) for the Bil Baird ... Aug 22, 2017 — My question is - does this rule only apply to the original recording of the song, or the covers as well? I did some limited research on Fair Use ...

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Kansas Uso de la canción en representaciones de primera clase, acciones y aficionados de Grand Rights