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Her confession was enough to convince the town that true evil was afoot. As the trials spun further and further out of control, Tituba remained imprisoned in Boston. She was indicted as “a detestable Witch” and languished in jail for more than a year.

Abigail says that Tituba makes her drink blood, plagues her dreams, and tempts her to sin.

She told them that Sarah Good and Sarah Osborne had demons in the form of animal companions who helped them commit their crimes. And she ended by confessing that they had bullied her into becoming a witch and hurting the girls. While Tituba spoke, her accusers stopped screaming.

Tituba was an enslaved Native woman who lived in Salem Village, Massachusetts, in the late 1600s. Historical records do not contain any information about her early life, or how she came to be enslaved. In 1692, Tituba lived and worked in the home of Reverend Samuel Parris, the minister of Salem Village.

Tituba was the Reverend Parris's slave from Barbados. She is significant to the story because she is the first to be accused of witchcraft and first to name others involved in witchcraft. She names two other women, Sarah Good and Sarah Osborne, as witches.

Tituba was an Indian woman, not (as commonly believed) a Negro slave. She was originally from an Arawak village in South America, where she was captured as a child, taken to Barbados as a captive, and sold into slavery. It was in Barbados that her life first became entangled with that of Reverend Samuel Parris.

Maryse Condé brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age.

Tituba was a slave in Salem, Massachusetts and was one of the first people persecuted in the Salem Witch Trials between 1691 and 1692. Many specifics about her life are unknown, and the historical accounts about her are often contradictory. She is believed to have been from the West Indies.

I, Tituba, Black Witch of Salem (French: Moi, Tituba, Sorcière... Noire de Salem) is a French novel by Maryse Condé published in 1986. It won the French Grand Prix award for women's literature.