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The first public Kinetoscope demonstration took place in 1893. By 1894 the Kinetoscope was a commercial success, with public parlours established around the world. The first to present projected moving pictures to a paying audience were the Lumière brothers in December 1895 in Paris, France.

Intensity, intimacy, ubiquity. The qualities of intensity, intimacy, and ubiquity have been singled out as the salient characteristics of the motion-picture image. Its intensity derives from its power to hold the complete attention of the spectator on whatever bit of reality is being shown.

1889 or 1890. Monkeyshines, by William Kennedy Dickson and William Heise. Believed to be the first film shot in the United States.

One of the greatest development in cinema was the introduction of sound on film. This meant that not only would audiences be able to see a story unfold on the big screen, they'd be able to hear it too. The studios were at the top of their game, by the time sound stepped onto the scene.

Early cinema gives us the knowledge we would never had in the way the technology evolved and the early inventors in the field. In the study of any history, there must be some traceable path of development of the subject matter and so is the history of cinema connected to early cinemas.

The Photo-Drama of Creation, first shown to audiences in 1914, was the first major screenplay to incorporate synchronized sound, moving film, and color slides. Until 1927, most motion pictures were produced without sound.

The first to present projected moving pictures to a paying audience were the Lumière brothers in December 1895 in Paris, France. They used a device of their own making, the Cinématographe, which was a camera, a projector and a film printer all in one.

One notable feature of many early films is their self-conscious use of features that created visual pleasure: the mobile camera in the kinesthetic films and the masked close-ups in various peephole films stress the capacity of the medium to provide a technologically enhanced view that allows the spectator to see ...